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Angelika Kauffmann
1741-1807,Swiss neoclassical painter and graphic artist. From her youth she was known for her artistic, musical, and linguistic abilities. She went to England, where she enjoyed success as a fashionable portrait painter and decorator. A protegee of Sir Joshua Reynolds, Kauffman was one of the original members of the Royal Academy. She often decorated houses designed by the Adam brothers. After her marriage in 1781 to the Venetian painter Antonio Zucchi, she lived in Italy, where she flourished in artistic and literary circles. Reynolds, Winckelmann, Goethe, and Garrick commissioned her to paint their portraits. Representative works include Religion (National Gall., London); Self-Portrait (Staatliche Museen, Berlin); and the etchings of L'Allegra and La Pensierosa. The British Museum has a collection of her drawings and prints. Related Paintings of Angelika Kauffmann :. | Drei Nymphen Ioschen das Feuer der Liebe | Franz Wrench Nach Angelika Kauffmann Bildnis Lwan Tschernischoff | Pallas Evanders Sohn Von Turnus Getotet | Selbstbidnis in der Tracht der Bregenzerwalderin mit Pinsel und Palette | Punktierstich | Related Artists: Ali She Nawat1440-1501
Pierre BonnardFrench Nabi Painter, 1867-1947
French painter, printmaker and photographer. He is known particularly for the decorative qualities of his paintings and his individual use of colour. During his life he was associated with other artists, Edouard Vuillard being a good friend Cristofano AlloriItalian Baroque Era Painter, 1577-1621
was an Italian portrait painter of the late Florentine Mannerist school. Allori was born at Florence and received his first lessons in painting from his father, Alessandro Allori, but becoming dissatisfied with the hard anatomical drawing and cold coloring of the latter, he entered the studio of Gregorio Pagani (1558-1605) who was one of the leaders of the late Florentine school, which sought to unite the rich coloring of the Venetians with the Florentine attention to drawing. Allori also appears to have worked under Cigoli. His pictures are distinguished by their close adherence to nature and the delicacy and technical perfection of their execution. His technical skill is shown by the fact that several copies he made of Correggio's works were thought to be duplicates by Correggio himself. His extreme fastidiousness limited the number of his works. Several specimens are to be seen at Florence and elsewhere. The finest of his works is his Judith with the Head of Holofernes. It exists in two copies in the Pitti Palace in Florence and in the Queen's Gallery in London.
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